Li Qi

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  • 2025.04 | Artforum

    Review: Heman Chong

    Against the backdrop of China’s bursting real estate bubble, Chong has brought his “Endless Summer” to China’s economic winter, offering his favorite method for navigating life: through fiction.

  • 2024.12.24-27 | Chiang Mai and Bangkok

    “Buddhism and Global Art” field research

    Under the framework of the Asian Art Roundtable, the research project examines contemporary developments while offering fresh insights into historical phenomena.

  • 2024.11.15 | Hong Kong

    Art Program at AP House The Henderson, Hong Kong

    Developed in collaboration with Kiang Malingue, the art program at AP House The Henderson features art works by Yeung Hok Tak, Su-Mei Tse, and Chou Yu-Cheng.

  • 2024.10.29

    Acquisition Meeting, De Ying Foundation

  • 2024.09.01 | Macau

    Art Program at AP House Macau

    Developed in collaboration with ShanghArt Gallery, the art program at AP House Macau features art works by Robert Zhao Renhui, Wu Yiming, Jiang Pengyi, and Liang Yue.

  • 2024.08.13 | Seoul

    Art Program at AP House Seoul

    Developed in collaboration with Gladstone Gallery, the art program at AP House Seoul features art works by Philippe Parreno, Andro Wekua, and Damián Ortega.

  • 2024.07.29

    Acquisition Meeting, De Ying Foundation

  • 2024.05.31-06.03 | Tokyo

    International Roundtable: The Possibility of Collaborating in a Divided World

    Over four intensive days of presentations and group discussions, the roundtable members organized their ongoing research into four thematic areas: Community, Spirituality, Migration, and Digital/Materiality.

  • 2024.04.25

    Acquisition Meeting, De Ying Foundation

  • 2024.03.29

    Acquisition Meeting, De Ying Foundation

  • 2024.02.16 | Tokyo

    International Roundtable:The Possibility of Collaborating in a Divided World

    Aiming to build international networks for the next generations artists, curators, and researchers.

  • 2023.11.08 | Shanghai

    Essay: Ugo Rondinone

    An essay commissioned by Fosun Foundation on the occasion of the museum solo exhibition of Ugo Rondinone.

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